Arrival. Witness. Release.

Format: Live gala fundraiser, cultural production and national broadcast.

  • Live experience: Approximately six hours

  • Broadcast programme: Approximately two hours

  • Production period: Two days of build and rehearsal preceding the event

The Tika Gala is conceived as a premium, values-led national event using performance,broadcast and philanthropy to fund survivor-informed reform, demonstrate best-practice safeguarding and create a visible commitment to change across Aotearoa’s music sector.

This is not a conventional charity concert.

It is a structural intervention expressed through culture: one audience, one journey and three connected chapters.

Arrival. Witness. Release.

The creative treatment should remain elegant, emotionally intelligent and quietly powerful. Music, visual art, architecture, technology and storytelling must work together with discipline. The production should avoid spectacle for spectacle’s sake, favouring cultural credibility, dignity and purposeful moments of transformation.

creative overview.

The event moves through three interconnected environments:

  • Chapter

  • Environment

  • Creative purpose

Arrival

Reception and red carpet

Public visibility, portraiture and cultural presence

Witness

Gala Dinner

Intimacy, reflection, ritual and commitment

Release

Revealed concert stage

Orchestral scale, collective performance and national broadcast impact

The dramatic spine is not built around one featured song or one headline artist.

Instead, the evening develops through:

  • the living portrait installation of Chris Cuffaro;

  • the architectural transformation of the Gala Dinner room;

  • digital work by Kereama Taepa;

  • two performance sections featuring Theia with Kapa Haka;

  • creative direction and transitional interventions led by Tiki Taane;

  • the reveal of the concert stage;

  • Auckland Philharmonia and choir;

  • featured appearances by Hollie Smith, Jon Toogood, Boh Runga and Tiki Taane and Tali;

  • collaborative performances commissioned specifically for the Gala;

  • clear, survivor-informed impact and pledge segments.

Central Creative Idea

From Portrait to Whare to National Stage

The audience begins by seeing the people of Aotearoa’s cultural community represented at monumental scale.

They then move into an intimate, contemporary interpretation of a whare… a held space for gathering, witnessing and commitment.

Finally, the architecture opens and the audience discovers a fully formed stage occupied by the Auckland Philharmonia.

The creative progression is therefore:

We see ourselves.


We gather beneath one roof.


We raise a collective voice.

CHAPTER ONE — ARRIVAL

“Good evening, and welcome to The Tika Gala. Around us are the faces of artists, leaders and guests choosing to stand visibly for a safer future. Tonight, we become part of a shared portrait—not as spectators, but as participants in a collective act of responsibility, hope and change.”

CHAPTER ONE — ARRIVAL

Title

The Living Portrait

Environment

The reception area becomes a large-scale photographic and projection installation led by international music photographer Chris Cuffaro.

The visual environment features portraits of New Zealand musicians, performers, artists, broadcasters and cultural figures photographed by Chris in the period before the Gala.

These portraits are projected at architectural scale throughout the reception area, creating a living gallery of Aotearoa’s creative community.

The installation then evolves in real time as arriving attendees are photographed and progressively incorporated into the visual environment.

Chris Cuffaro Red-Carpet Portrait Experience

Every attendee is offered a highly controlled editorial portrait rather than a conventional event photograph.

The experience is designed to be fast, premium and visually consistent.

Portrait workflow

  • The guest arrives through the red-carpet pathway.

  • Chris photographs the guest within a purpose-built portrait environment.

  • A digital technician selects the strongest approved frame.

  • The image is processed using the agreed 110B emulator treatment.

  • The guest receives a digital version suitable for social media.

  • A high-resolution version is retained for print.

  • Approved images may enter the venue projection sequence.

  • Selected images may appear on digital out-of-home screens around Auckland.

  • Approved images may also be incorporated into broadcast montages and event documentation.

The image treatment should create a recognisable signature across all portraits, giving the Gala a coherent visual identity rather than producing a collection of unrelated red-carpet photographs.

CHAPTER TWO — WITNESS

Title

The Whare

Creative Purpose

The Gala Dinner is the moral and architectural centre of the evening.

The room is inspired by the idea of a whare: a gathering place, a protective structure and a space in which people come together under one roof.

This should not be treated as a literal scenic reproduction.

Instead, the design draws from the principles of:

  • shelter;

  • gathering;

  • collective presence;

  • ancestry;

  • intimacy;

  • relationship between floor, wall and roof;

  • the sense of being held within a shared structure.

The interpretation and use of cultural concepts, Atua and visual language must be developed with Kereama Taepa and appropriate tikanga and cultural guidance.

Artist Kereama Taepa
Mai Te Uira

Through the presence of Te Uira, Tānemahuta and Hine-te-Iwaiwa, Mai Te Uira offers a powerful contemporary meditation on culture, innovation and identity.

CHAPTER THREE — RELEASE

Title

The Collective Voice

The final chapter expands from the intimacy of the whare into a national concert and broadcast environment.

The Auckland Philharmonia performs specially commissioned orchestral arrangements of New Zealand music. The reference concept positions this as a one-night-only programme combining symphonic performance with contemporary artists and cinematic scale.

Featured Artists

  • Auckland Philharmonia;

  • Tiki Taane

  • Tali;

  • Hollie Smith;

  • Boh Runga;

  • Jon Toogood;

  • Theia;

  • Kapa Haka ensemble;

  • additional collaborative artists to be confirmed.

The site reference also proposes an Auckland Philharmonia collaboration with Tiki Taane and Tali, combining orchestral performance with dub, drum and bass and soulful vocal elements.

Auckland Philharmonia x Tiki Taane + Tali

Featuring Tiki Taane and Tali in an electrifying live performance that fuses dub, drum & bass and soulful vocals.
Renowned for their dynamic stage presence and genre-defying sound, the duo will deliver an unforgettable performance that brings energy, intensity and unmistakable Aotearoa flavour to The Tika Gala. 

360°

the Team

  • Stacey Morrison

    Host MC

  • Zoë Lawton

    Host / Tika Founder

  • Alison Mau

    Host / Tika Founder

  • Joff Rae

    Creative / Executive Producer

  • Tiki Taane

    Creative

  • Ange Watson

    CEO Colenso BBDO

  • Sulaika (Sue) Esselbrugge

    Sponsors / Partners

  • Amy Van Garderen

    Sponsors / Partners

  • Deb Wooton

    Event Manager

  • Audrey Holyoake

    Audrey Holyoake

    EA / Assistant

  • Reuben Friend

    Curator / Art Direction

  • NinaKaye Taane Tinorau

    Tikanga

  • Katharine Broughton

    Strategy

  • Frieda Crawford

    Governance / Risk

  • Jason Steel

    Production Design

  • Chris Cuffaro

    Photography

  • Kereama Taepa

    Artist

  • John JR Robertson

    Event Producer

  • Aaron Hobman

    Production / LX

  • James Thompson

    Audio Manager

  • Mark Rule

    Broadcast

  • TBC

    Line Producer

  • TBC

    Producer / Broadcast

  • TBC

    Director / Broadcast

  • TBC

    LED / Visuals

  • TBC

    Musical Director

  • TBC

    FOH

  • TBC

    Security

  • TBC

    NZICC Venue

  • TBC

    NZICC Production

  • Sweet Orange

    Creative / Production / Experiential

  • TikiDub Productions

    Creative

  • THE COLLECTIVE AGENCY

    Sponsorships / Partnerships

  • Wild Apricot Events

    Event Management

  • Colenso BBDO

    Agency

  • NJL Productions

    LX / Production

  • College Hill Productions

    Audio

  • Global Production Partners

    Production Design

  • The Production Agency

    A&R / Promotion

  • Chris Cuffaro

    Exhibition

  • iSPARX.Group

    Immersive Media

  • Image NZ

    broadcast

  • Dust Palace

    Circus

  • NW Group

    Venue Tech

  • New Zealand International Convention Centre

    Venue