Arrival. Witness. Release.
Format: Live gala fundraiser, cultural production and national broadcast.
Live experience: Approximately six hours
Broadcast programme: Approximately two hours
Production period: Two days of build and rehearsal preceding the event
The Tika Gala is conceived as a premium, values-led national event using performance,broadcast and philanthropy to fund survivor-informed reform, demonstrate best-practice safeguarding and create a visible commitment to change across Aotearoa’s music sector.
This is not a conventional charity concert.
It is a structural intervention expressed through culture: one audience, one journey and three connected chapters.
Arrival. Witness. Release.
The creative treatment should remain elegant, emotionally intelligent and quietly powerful. Music, visual art, architecture, technology and storytelling must work together with discipline. The production should avoid spectacle for spectacle’s sake, favouring cultural credibility, dignity and purposeful moments of transformation.
creative overview.
The event moves through three interconnected environments:
Chapter
Environment
Creative purpose
Arrival
Reception and red carpet
Public visibility, portraiture and cultural presence
Witness
Gala Dinner
Intimacy, reflection, ritual and commitment
Release
Revealed concert stage
Orchestral scale, collective performance and national broadcast impact
The dramatic spine is not built around one featured song or one headline artist.
Instead, the evening develops through:
the living portrait installation of Chris Cuffaro;
the architectural transformation of the Gala Dinner room;
digital work by Kereama Taepa;
two performance sections featuring Theia with Kapa Haka;
creative direction and transitional interventions led by Tiki Taane;
the reveal of the concert stage;
Auckland Philharmonia and choir;
featured appearances by Hollie Smith, Jon Toogood, Boh Runga and Tiki Taane and Tali;
collaborative performances commissioned specifically for the Gala;
clear, survivor-informed impact and pledge segments.
Central Creative Idea
From Portrait to Whare to National Stage
The audience begins by seeing the people of Aotearoa’s cultural community represented at monumental scale.
They then move into an intimate, contemporary interpretation of a whare… a held space for gathering, witnessing and commitment.
Finally, the architecture opens and the audience discovers a fully formed stage occupied by the Auckland Philharmonia.
The creative progression is therefore:
We see ourselves.
We gather beneath one roof.
We raise a collective voice.
CHAPTER ONE — ARRIVAL
“Good evening, and welcome to The Tika Gala. Around us are the faces of artists, leaders and guests choosing to stand visibly for a safer future. Tonight, we become part of a shared portrait—not as spectators, but as participants in a collective act of responsibility, hope and change.”
CHAPTER ONE — ARRIVAL
Title
The Living Portrait
Environment
The reception area becomes a large-scale photographic and projection installation led by international music photographer Chris Cuffaro.
The visual environment features portraits of New Zealand musicians, performers, artists, broadcasters and cultural figures photographed by Chris in the period before the Gala.
These portraits are projected at architectural scale throughout the reception area, creating a living gallery of Aotearoa’s creative community.
The installation then evolves in real time as arriving attendees are photographed and progressively incorporated into the visual environment.
Chris Cuffaro Red-Carpet Portrait Experience
Every attendee is offered a highly controlled editorial portrait rather than a conventional event photograph.
The experience is designed to be fast, premium and visually consistent.
Portrait workflow
The guest arrives through the red-carpet pathway.
Chris photographs the guest within a purpose-built portrait environment.
A digital technician selects the strongest approved frame.
The image is processed using the agreed 110B emulator treatment.
The guest receives a digital version suitable for social media.
A high-resolution version is retained for print.
Approved images may enter the venue projection sequence.
Selected images may appear on digital out-of-home screens around Auckland.
Approved images may also be incorporated into broadcast montages and event documentation.
The image treatment should create a recognisable signature across all portraits, giving the Gala a coherent visual identity rather than producing a collection of unrelated red-carpet photographs.
CHAPTER TWO — WITNESS
Title
The Whare
Creative Purpose
The Gala Dinner is the moral and architectural centre of the evening.
The room is inspired by the idea of a whare: a gathering place, a protective structure and a space in which people come together under one roof.
This should not be treated as a literal scenic reproduction.
Instead, the design draws from the principles of:
shelter;
gathering;
collective presence;
ancestry;
intimacy;
relationship between floor, wall and roof;
the sense of being held within a shared structure.
The interpretation and use of cultural concepts, Atua and visual language must be developed with Kereama Taepa and appropriate tikanga and cultural guidance.
Artist Kereama Taepa
Mai Te Uira
Through the presence of Te Uira, Tānemahuta and Hine-te-Iwaiwa, Mai Te Uira offers a powerful contemporary meditation on culture, innovation and identity.
CHAPTER THREE — RELEASE
Title
The Collective Voice
The final chapter expands from the intimacy of the whare into a national concert and broadcast environment.
The Auckland Philharmonia performs specially commissioned orchestral arrangements of New Zealand music. The reference concept positions this as a one-night-only programme combining symphonic performance with contemporary artists and cinematic scale.
Featured Artists
Auckland Philharmonia;
Tiki Taane
Tali;
Hollie Smith;
Boh Runga;
Jon Toogood;
Theia;
Kapa Haka ensemble;
additional collaborative artists to be confirmed.
The site reference also proposes an Auckland Philharmonia collaboration with Tiki Taane and Tali, combining orchestral performance with dub, drum and bass and soulful vocal elements.
Auckland Philharmonia x Tiki Taane + Tali
Featuring Tiki Taane and Tali in an electrifying live performance that fuses dub, drum & bass and soulful vocals.
Renowned for their dynamic stage presence and genre-defying sound, the duo will deliver an unforgettable performance that brings energy, intensity and unmistakable Aotearoa flavour to The Tika Gala.
360°
the Team
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Stacey Morrison
Host MC
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Zoë Lawton
Host / Tika Founder
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Alison Mau
Host / Tika Founder
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Joff Rae
Creative / Executive Producer
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Tiki Taane
Creative
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Ange Watson
CEO Colenso BBDO
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Sulaika (Sue) Esselbrugge
Sponsors / Partners
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Amy Van Garderen
Sponsors / Partners
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Deb Wooton
Event Manager
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Audrey Holyoake
EA / Assistant
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Reuben Friend
Curator / Art Direction
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NinaKaye Taane Tinorau
Tikanga
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Katharine Broughton
Strategy
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Frieda Crawford
Governance / Risk
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Jason Steel
Production Design
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Chris Cuffaro
Photography
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Kereama Taepa
Artist
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John JR Robertson
Event Producer
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Aaron Hobman
Production / LX
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James Thompson
Audio Manager
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Mark Rule
Broadcast
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TBC
Line Producer
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TBC
Producer / Broadcast
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TBC
Director / Broadcast
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TBC
LED / Visuals
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TBC
Musical Director
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TBC
FOH
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TBC
Security
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TBC
NZICC Venue
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TBC
NZICC Production
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Sweet Orange
Creative / Production / Experiential
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TikiDub Productions
Creative
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THE COLLECTIVE AGENCY
Sponsorships / Partnerships
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Wild Apricot Events
Event Management
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Colenso BBDO
Agency
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NJL Productions
LX / Production
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College Hill Productions
Audio
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Global Production Partners
Production Design
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The Production Agency
A&R / Promotion
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Chris Cuffaro
Exhibition
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iSPARX.Group
Immersive Media
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Image NZ
broadcast
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Dust Palace
Circus
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NW Group
Venue Tech
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New Zealand International Convention Centre
Venue